RIBA St Margaret’s Church Tour & Talk

RIBA St Margaret’s Church Tour & Talk

Last week we hosted a RIBA talk at St Margaret’s Church, the free event gave anyone, and everyone an opportunity to visit the church and ask the design team questions regarding this brilliant scheme. Luckily someone had the foresight to record our talk and Q&A session, well worth a watch if you were not able to join us.

We were joined by the wonderful Andrew Malbon, a key member of the church team and also a fellow architect. He gives a great introduction to the project, offering an insight into the project from the church perspective – ‘Keep the thing the thing – no matter how gorgeous and lovely the (architecture is), and it is, it is here to support the people who come in the building.’

Andrew was also able to share some figures which highlight the positive impact the scheme has had on the local community. The food bank, for example, fed about 100 people a week throughout the pandemic, totally around 10,000 meals provided which could not have been done without the physical space of the church. The children’s soft play now hosts around 50 children visiting per week (not including those who use it over the weekend during services), it has become a safe and inexpensive space for families (not just from the congregation) to come together and use.

 

From the Q&A session, one question that really stood out for us was:

‘What has come out of this which wasn’t planned – any unintended happy accidents?’

Andrew explains how the project has expanded across the building; people no longer just congregate in the center of the church but have grown into all corners of the building. He explains how at the first wedding in the refurbished church there was an amazing, fluid use of space, which was amazing to see how the church could be utalised in such a way.

Darren explains how this project has taught Studio BAD the importance of starting each project without any preconceived ideas. Since the success of St Margaret’s, they have been asked to recreate the scheme elsewhere, however it is important not to just copy but to see the needs for each community and shape the project that way.

The future of a church is not just about Sunday, it is about community and what the physical building can offer.

 

The talk starts around 4 minutes into the video, Darren comes in around 22 minutes.

https://www.youtube.com/watch?v=bG07Y9BlReI

 

RIBA Tour of St Margaret’s Church

As a recent MacEwean Award Commended project, the RIBA Hampshire Branch have invited us to host a tour of St Margaret’s Church for local members. We are thrilled to have this opportunity, to showcase how we have transformed the once condemned building though a minimal refurbishment and ‘meanwhile approach’, transforming it for the local community.

Do please come and join us, the event is free although we would encourage everyone who can to make a donation to the church’s fund. Pre booking your tickets is essential, get your here.

Date & Time:
Tuesday 26th April 2022
1800 – 2000

Location:
St Margaret’s Community Church
Highland Road, Southsea, Portsmouth, PO4 9DD

Why teaching matters to me, by Darren Bray

‘I never teach my pupils; I only attempt to provide the conditions in which they can learn.’ –Albert Einstein

 

Since becoming a fully qualified architect I have always kept myself involved with academia, through part time teaching, reviewing exam work and acting as a visiting lecturer at various universities. The more academic work I have been involved with the more I have realized that teaching is important to me, it is part of who I am and what I do and has a positive influence on the evolution of Studio BAD.

Part of the reason I love teaching is that it invigorates me. Students often have a seemingly naïve or fresh way of approaching problems that keeps me from getting stuck into an architectural rut. They also challenge me to be better, to teach better, to design better, as they are not easily impressed by my work experience they do not just accept my word but want proof. I find that by having to justify my ideas and views it makes me think harder.

I feel lucky that my teaching work makes my outlook more current, in this academic world of theory I am exposed to people who would normally be outside my natural sphere of the practice and we all bring different ideas together. In this space theories are explored, this is a luxury many small practices do not normally have the ability to do, often the time spent on the practicalities of running a small practice take over from the time we should really dedicate to critical thinking.

As cliché as it sounds I do also really like giving back, teaching allows me to do that. I am hugely aware of the positive impact my teachers had on me, they helped shape me to become what I am today and I do believe that without their belief in me pushing me forward I would not be a successful architect now. If I can pass this positive impact onto just one of my students then I will feel I have succeeded.

RIBA Black History Month

The RIBA, working in collaboration with Paradigm Network, celebrated Black History Month with a special book club held throughout October. I was honoured to be asked to take part in this event, the importance of this movement is inclusion, everyone should be passionate about the accessibility for all to increase diversity and ultimately to drive our industry forward.

 

The month was about us all appreciating and celebrating the achievements from the BAME communities, and championing professionals from all backgrounds in all sectors of society.

 

For the Book Club we were all asked to nominate a book or song that has had a profound effect on us as a way of showcasing the inspirational work from Black and Asian talent. I selected the book ‘The Black Album’ by the hugely talented Hanif Kureishi.

 

This book transports me back to a specific time in my life, of being 23 in my final year of my architectural degree at Portsmouth School of Architecture. It represents a period of awakening for me, I remember it being a wonderfully diverse cultural era in the 1990’s in terms of literature, music, art, architecture, film and of course my education.

 

I find Hanif Kureishi has such a wonderful way of dealing with some complex social issues around race, religion, sexuality and modern culture, painting the world through wonderfully colourful words and descriptions. I think it’s fair to say, his work has played a huge part in my learning and what I do now in practice.

 

There was a free webinar on Thursday 29th October where all the design leaders participating in the book club discussed their selection and how it has affected their practice, an interesting insight into what motivates and inspires design leaders.

 

RIBA Event Details