Top Tips for Glazing Links

We recently were asked to contribute to an article in Homebuilding & Renovating on Glazed Links. These are an increasingly popular method to stitch old and new buildings together, as they offer an exciting design ‘moment’ in any dwelling, but they also bring some challenging aspects to be considered.

The beauty of using a glazed link it is allows the history of the building to be clearly read, highlighting a clear addition without any visual distractions. Done well these links can really complete an extension. If you are looking to link your building to a new element here are my top 5 things you should consider:

  1. Research your team; it is important that your Architect, Engineer and specialist glass supplier have a good track record with delivering similar structures. The Architect you work with can make or break the overall outcome of your project, many who have experience in incorporating such elements will also know the best structural engineers and specialist suppliers to appoint – so pick your team carefully.
  2. Check if you need planning; it is always essential to consult with planning and building regulations and seek approval before you start on any project, you might also need to consider if you need to speak to a Conservation Officer (should your property be situated within a conservation area or AONB.) They are there to advise and protect any heritage assets within a defined area, they will judge any proposal on its merits and in many cases, they look favourably on such pure, transparent structure. 
  1. Think about the orientation of the space; if your space faces due south you need to take this into account to reduce overheating. There are design methods that can cut out solar gain, such specialist coatings, designed structural solar shading and, or creating some elements to open to allow ventilation. If the link faces due north, then I would recommend that the link is total glass, for 100% transparency, to allow for maximum light penetration into the space.
  2. Think about the roof design; in such a structure you have a choice of the roof you incorporate, glass, solid or incorporating a mix, which will impact on budget and ongoing maintenance needs. If you opt for a glazed roof, which is the costliest, then it should never be totally flat, in order to shed water, a minimal slope of approx. 3 – 5 degrees must be used. I would also recommend adding a specialist coating to assist with maintenance and reducing residue left on the glass. If you go with a solid insulated roof (flat or pitched) you allow for reducing cost but the key challenge is incorporating anything other than glass successfully into the structure. There could be an opportunity to incorporate both, that might employ the use of central glazed roof light or lantern to draw light into the centre of the link. Personally, if budget permits, then the best solution will always be to deliver a total and complete seamless and elegant glass box, walls, roof and supporting elements.
  3. Think about how you might hide the structure; to create a seamless space, you need to consider how the glazed link will be installed into the adjacent walls and what type of structure may be required. The best solutions are where you are able to hide or conceal supporting frames. So that the glass reads as the only entity by simply slotting into the steal or aluminium frame and are then fixed in place with structural silicone. When considering the structure, this will ultimately come down to budget, as using steel or aluminium framing is a standard way of supporting the glass. But if your budget allows, you could use glass as the supporting structure.

If you are looking for inspiration, there are many architects and engineers who have pioneered glass technology over the past 30 years. Rick Mather Architects produced a wonderful total glass space back in 1992. More recently Eckersley O Callaghan has become the leading engineer in the world on glass technology.

Full article Glazed Link Glazed Link 2

Interior Architecture Brighton Awards 2021

Studio B.A.D were proud to sponsor an award,  for the third consecutive year, and be an active part of the judging panel at the famed INTERIOR  ARCHITECTURE SCHOOL led by the hugely inspirational Gemma Barton. Gemma has been collaborating with Studio B.A.D on our Bedford Place Tactical Urbanism project.  We, as a collective, are always keen to support, and promote the next generation of designers, it is an important aspect of the practice’s ethos. The ‘Studio B.A.D + Chora Award’ recognises Interior Architecture graduating students for narrative and storytelling, through excellence in drawing and representation.

The entries for this year were of a very high level, with some very inspiring and through provoking designs ideas. We commend all the shortlisted nominations; it was a difficult decision to select just two winners in this category.

First prize was awarded to Matilda Swift-Bernard for her ‘Extinction Rebellion HQ’ project.

Darren Bray commented ‘A wonderful revolutionary project, very much rooted in the now, with a quite beautiful narrative of how two environmental activists come together for form an amazing partnership and alliance to do good in the world, responding to the pressures of climate change. A gorgeous heady mixture of powerful storey telling through rigorous tectonic architecture, some beautifully sensitive representation showing the quite wonderful bird bath structure. The reuse of plastic in a reimagined innovative new construction material in the atmospheric subterranean world is both ingenious and a real spectacle. There are so many layers to this thoroughly well considered project. Matilda is to be congratulated for such energy and inventiveness!’

Second prize was awarded to Iona Hepworth for her ‘The Mussel Club’ project.

Darren Bray commented ‘The Mussel club is quite majestic in its concept and incredibly strong entrepreneurial narrative. The idea of working with water and the way in which this is harnessed for the process of mussel farming is delivered with real passion and rigor. The beautiful iterative platform drawings are reminiscent of Matisse’s abstract cut outs and give a real glimpse and flavor of how one would use and interact with such a space, with some powerful sensory moments, especially those demonstrated through the atmospheric film. There are some quite wonderful representation technique’s employed where the sections show both the tectonic qualities of the existing structure but also the sensitivity nature of the water collection fabric. Iona has created a wonderful world of sensory overload, which beautifully represented.’

Darren Bray awarded the RUSU Award

I am honoured to be recognised in this year’s Reading University Students Union annual awards, winning the Teaching Excellence Award for Built Environment. As these awards are nominated by the students I teach, it makes the prize feel even more exceptional.

Teaching has always been important to me, as I have written about in a previous blog post. When I was younger it was my teachers who saw my potential and helped to encourage me, this was something that inspired me to teach myself, I had always hoped to be able to pass this positive experience on to the next generation.

There are so many other great teachers at Reading University, I am humbled to have been singled out for this honour. This award has come as a very pleasant surprise, after such a challenging year for us all it is positive news that is even more welcomed.

‘Darren is an inspiration ever since the first lecture he gave. He always gets us talking and always has more to add to the lessons. He’s informative and precise. On a personal note he has helped me believe in myself by talking about his dyslexia, helping me to overcome what I have struggled with for many years, I cannot thank him enough!’

https://www.rusu.co.uk/your-union/awards/excellence-awards

Southampton City Vinyl

In May 2019 Studio BAD were commissioned to write, and curate a series of urban public realm interventions for Southampton, with a view of activating vacant retail shopfronts and redundant spaces.

The competitions are part of the ongoing, incremental strategy by GO! Southampton to enliven the public realm across the city centre. We were thrilled to see the first of the competitions brought to life, with vinyl artwork erected in place on an empty shopfront, located in the busy High Street.

The artist, Nathan Evans, won this first competition with a design concept for the vinyls, themed around a number of key phrases that represent the city and its inhabitants, reflected though the designs in an uplifting and positive way. Each artwork is crafted to be flexible, allowing them to be used to redecorate any dimension of shop front across the city centre.

The designs act to ask questions about the redundant space and place, what are the opportunities and how can the community get involved to reimagine and repurpose these spaces with new, vibrant uses.

A number of themes were identified in the initial briefing, representing the city in all its diverse forms and showcasing some of the best the city has to offer including: CITY OF LEARNING, CITY OF RESEARCH & INNOVATION, CITY OF CULTURE, CITY OF PLAY, GLOBAL CITY, ENTREPRENURIAL CITY and DIVERSE CITY.

GO! Southampton is the City’s Business Improvement District (BID) for Southampton City Centre. It was originally set up 2017 by a steering group consisting of local businesses and organisations who all share the vision for pushing Southampton to reach its full potential, through projects and improvements. Studio BAD are also collaborating with GO! Southampton on the Bedford Place reactivation scheme.

The 20 minute city

Studio BAD have been working on several urban planning schemes, each looking at how design can positively assist with the recovery plans after COVID-19, helping to support a deeper, stronger recovery for urban centres and create greener urban centres going forward.

The ’20 Minute City’ concept is an idea I have become increasingly interested in as a model to embrace. This idea is a break away from the current trend, which tends to zone aspects of life separately, like living and working, relying on private cars as the main mode of transport. This concept instead brings together all aspects of day to day life, so rather than having our lives separated, this plan brings everything one might need on a day to day basis, such as work, home, doctors and schools, within a short distance. The concept goes hand in hand with the urgent need to address our climate changes and introduce a green policy across our cities.

The COVID-19 pandemic has given us an opportunity to rethink how we live. With so many of us now successfully working from home it has made people question the need, and want, to go back to commuting long distances to work on a daily basis. Bringing everything within a short distance, which is can be covered without needing a car, creates richer and more liveable neighbourhoods which could help regenerate our urban centres after the pandemic.

The core principles include being able to live locally with a diversity of housing, with a mix of commerce and utilities linked by a safe, walkable urban neighbourhood, safe cycling routes, high-quality public realm and open spaces. Everyday needs should be met within this 20 minute radius without the need of a car, shifting the need for private transportation and improving the ability to walking, cycling or using public transport for most needs. The concept it intentionally loose, allowing each area to embrace it individually and edit to fit the needs of the local context and community.

Our project at Bedford Place, in central Southampton, looked at fresh ways to revive this niche area just to the north of the main shopping area. The streets are well regarded as an area for boutique shopping but have been badly hit by the pandemic, to support social distancing the streets were closed to cars and we looked at how this could be built on to inject new life into the community and the public realm, strengthening the sense of community and supporting local economies to thrive.

Infographic source; c40knowledgehub.org

Painting started at Bedford Place

This week the street painting has started at Carlton Terrace in Southampton, it is so great to see the plans we had for this area getting put into action. The bold, geographic design runs over 130 meters down the street, creating a vibrant and engaging backdrop for this newly pedestrianised area, which the council have confirmed will be in place until at least the end of the summer.

The painting is part of the wider strategy for the reactivation of the Bedford Place area which includes the pedestrianisation of the streets, decorated concrete barriers, outdoor seating and planting.

Last year some of the roads in this area were closed temporarily, to assist with social distancing measure and offer additional outdoor seating space for pubs and restaurants. The council took the opportunity to review if this could be a more permanent change, to support the economic recovery, greener living and creating a more vibrant community. We worked as part of a team, reviewing different ways design could help create a more engaging and thriving destination for this area of the city.

I cannot wait to see the painting completed, it is going to look amazing, and once lockdown rules are lifted later this month the space is going to transform again with people activating the streets.

 

Councillor Steve Leggett, Cabinet Member for Green City and Place, says:

“Bedford Place businesses are an important part of our local economy and we are committed to supporting their recovery and to seeing Bedford Place become once again a vibrant, thriving area where people can meet and spend time safely.”

For further details about the Bedford Place scheme, visit:  https://transport.southampton.gov.uk/bedfordplace