We finished last week with such great news; three of our projects have achieved planning permission. Obviously, this is the outcome we hope for, but until you get the official green light there is always a slight nervousness. All the project are private residential schemes but are all quite different in typology and location, they really are a great showcase of our scope.

In central Southampton, Hampshire, the Skinny House is a brownfield redevelopment which creates a new three bedroom house on the corner plot of the existing property. The site is currently an overgrown patch of scrubland with unsightly garages on it, underused by us and an ideal brownfield redevelopment site.

In south Devon we have been given approval for the reimagination of Harbour View House in Brixham. The 1960’s bungalow sits on an elevated site, with stunning and uninterrupted views over Brixham harbour and Torbay. Our plans look to upgrade the home and extend the dwelling, the main objective was to alter the layout so it could be more flexible, whilst also engaging the house with its stunning setting and maximise the incredible views.

The third project is the reimagination of a mid-terrace, late 1960’s house in Bristol. The new owners wanted refurbish the existing house to create a more contemporary, spacious and bright home.

We are thrilled to see these designs progress and look forward to the next milestone in the design journey.

It was such a privilege to be asked to contribute to the latest ‘Solve’ magazine, published by Portsmouth University. The publication showcases past Portsmouth alumni who are busy across all sectors, creating a better world for all and it was great discussing our work at Studio BAD, our passions and philosophy around critical thinking and problem solving.

It was truly humbling to be included in this impressive list including: Roni Savage BEng the founder of ‘Jomas Associates’ who work with the construction industry to ensure sites are fit for development; Kia Hallaji BSc Hons Senior Inventor at ‘?What If!’ helping companies invent new things, products, services or brands; and the truly inspiring Mille Clare BA Hons, although a recent graduate she has already launched ‘Human Beauty’ to show the beauty industry why ‘perfect’ is boring but ‘human’ is beautiful.

In the article I discuss the concept, which is central to Studio BAD’s ethos, that architecture holds the potential to be a vehicle for social and economic change for the better. We believe that to be an architect now it isn’t just about designing physical buildings and structures, but fundamentally it is about creative problem solving. For example in our recent Bedford Place project we worked to engage with the road closures during the pandemic, creating a dynamic pedestrianised area that enhanced the area.

The full article, Architects of a better tomorrow, can be found here.

Culverlands Farm is progressing well on site. It is always such a joy when projects move from the drawing board and into the physical world, we really enjoy and celebrate seeing our designs start to take shape.

The project has reimagined the Farm House with a contemporary 2 storey extension onto the traditional Victorian Farm House located in West Berkshire.

The clients have been very conscious through the site clearing process, looking to embrace a circular economy to reduce waste and reuse as many materials as they possibly can. Reclaimed bricks, from redundant structures on the site, are getting reused in the build, adding a unique and rich texture to the new addition.

In collaboration with John Barkley Architects.

We have started onsite for the new ‘Summer Lounge’ project in Southampton.

The collaborative project reimagines the historic Guildhall Square, animating the space with the introduction of pop up markets, performance space, seating and an 480sqm urban beach. This week we have been painting the ‘urban rug’, the bold artwork that will cohesively bring all the elements together.

For more information

We were thrilled to see  our Bedford Place scheme in  Southampton, and the work we collaborated on for the Southampton Tactical Urbanism project, featuring in the report on future of urban centers by Metro Dynamics. The report was prepared conjunction with the 36 key cities & core cities network across the UK, looked into our changing urban landscape.

The study has highlighted the unique, post pandemic, opportunity we have to make real and positive changes to our cities. ‘A straight bounce back for urban centers is neither likely, nor desirable.’ It uses various case studies from across the UK, demonstrating possible solutions that can assist other urban areas with their economic recovery, creating more liveable cities and greener cities.

They applauded the work Southampton has done in tackling urban changes, to create new uses for the high street and establishing culture as a key part of its economic recovery. The Bedford Place and Southampton Vinyl project are key example of these aspects coming together, working with local artists and businesses to create active, creative projects that deliver ‘go-to’ destinations.

The full report can be downloaded here

The above image is an aerial shot of Bedford/Carlton Place, Southampton, taken in July 2021. The Bedford/Carlton Place Activation Project is a scheme I worked on recently in collaboration with Studio B.A.D, designing the artwork for the street mural. This was applied in semi-permanent coloured paint to encourage pedestrian interaction with this road surface, temporarily closed to vehicles in relation to COVID-19 social distancing measures. The street mural was further furnished with lighting, planters, tables, chairs and also other items placed by local traders which further developed the project over time.

I originally trained as a sculptor before deciding to study architecture as I hoped to work on creative projects within more of a team environment, rather than the typically more solitary artist studio environment. I also aimed to work on projects which would be of benefit to a wider community and become less of a commodity than fine art works can sometimes be. For me, moving into public art over the last few years has integrated various skills from both disciplines including; researching local context, imaginative design, selecting materials, project management, working with others and assessing community feedback.

Over the last few months I have also been collaborating on other projects with Studio B.A.D including the Summer Lounge activation scheme due to be installed in Guildhall Square, Southampton, later this month. Studio B.A.D work with a range of collaborators and this is my first instance of working with an architectural practice where the artwork has been thought of as an intrinsic part of the overall scheme. Too often different creative disciplines sit at arm’s length in built environment projects. In the Bedford Place scheme, the artwork was fundamental to the placement of the other designed elements. The success of the project has been the day-to-day use of the artwork to informally test permanent solutions for this area of public space. This type of wide-ranging collaboration is a growing trend and an opportunity to bring in creatives from outside of the traditional masterplanning backgrounds to create more unique experiences.

www.amandamoore.info

For more information on Studio B.A.D collaborators.