Design collaboration, guest blog by Amanda Moore

The above image is an aerial shot of Bedford/Carlton Place, Southampton, taken in July 2021. The Bedford/Carlton Place Activation Project is a scheme I worked on recently in collaboration with Studio B.A.D, designing the artwork for the street mural. This was applied in semi-permanent coloured paint to encourage pedestrian interaction with this road surface, temporarily closed to vehicles in relation to COVID-19 social distancing measures. The street mural was further furnished with lighting, planters, tables, chairs and also other items placed by local traders which further developed the project over time.

I originally trained as a sculptor before deciding to study architecture as I hoped to work on creative projects within more of a team environment, rather than the typically more solitary artist studio environment. I also aimed to work on projects which would be of benefit to a wider community and become less of a commodity than fine art works can sometimes be. For me, moving into public art over the last few years has integrated various skills from both disciplines including; researching local context, imaginative design, selecting materials, project management, working with others and assessing community feedback.

Over the last few months I have also been collaborating on other projects with Studio B.A.D including the Summer Lounge activation scheme due to be installed in Guildhall Square, Southampton, later this month. Studio B.A.D work with a range of collaborators and this is my first instance of working with an architectural practice where the artwork has been thought of as an intrinsic part of the overall scheme. Too often different creative disciplines sit at arm’s length in built environment projects. In the Bedford Place scheme, the artwork was fundamental to the placement of the other designed elements. The success of the project has been the day-to-day use of the artwork to informally test permanent solutions for this area of public space. This type of wide-ranging collaboration is a growing trend and an opportunity to bring in creatives from outside of the traditional masterplanning backgrounds to create more unique experiences.

www.amandamoore.info

For more information on Studio B.A.D collaborators.

Designing an experimental low carbon house

We were delighted to have worked with the National Centre for Joint International Research of Low Carbon Green Buildings at Chongqing University, one of the leading higher education schools in China. The university gave us a brief to look into a feasibility design for a new ‘Lab House’ for Huzhou, a city located on by Lake Tai (the third largest freshwater lake in China) and just over 90 miles to the west of Shanghai.

The brief was to create a British style contemporary house, that delivers a low carbon sustainable dwelling, responding to the major challenge of our age, the climate change emergency. Each of the design concepts have unique ways in which to meet these criteria.

We presented three initial ideas, taken the traditional idea of a British dwelling and used these as drivers for concepts, putting great importance on the quality of space and light within. The three concepts include a Courtyard House, a Gable House and a Great Hall House. Each design idea delivers a piece of 21st contemporary architecture with British styling, delivered suitable for the existing context.

The designs are fundamentally low energy, low carbon, sustainable solution for the site condition. We have employed fabric first solutions to the designs, including naturally insulating materials, concrete floors to act as a heat sink, height levels of insulation and U values, cross ventilation, solar shading, designed for solar gain and draught lobbies. Adding technology to enhance the design, such as rainwater storage and attenuation, bio mass, ground source heat pump.

The Courtyard; inspired by the classical country house with walled kitchen garden. The home wraps around this internal sheltered courtyard space, offering a source of fresh air to allow for natural cross ventilation, the layout is optimized for shading and solar gains to give passive   internal courtyard allows for cross ventilation, a secluded and sheltered courtyard.

The Gable House; taking the architectural lines from English residential architecture with a classic gabled roof. The design idea adds a glazed living space, with ‘slides’ out from the gabled volume. In concept the single storey glazed addition offers spaces for a green roof on top, the gabled roof gives space for maximum insulation levels and

Great Hall House; taking design cues from the large formal stately homes with a generous multi-function hall at the center of the dwelling with all functions branching off. Our concept uses this layout principle, with a  large, double height space at the heart of the building which encourages natural ventilation throughout.

Top Tips for Glazing Links

We recently were asked to contribute to an article in Homebuilding & Renovating on Glazed Links. These are an increasingly popular method to stitch old and new buildings together, as they offer an exciting design ‘moment’ in any dwelling, but they also bring some challenging aspects to be considered.

The beauty of using a glazed link it is allows the history of the building to be clearly read, highlighting a clear addition without any visual distractions. Done well these links can really complete an extension. If you are looking to link your building to a new element here are my top 5 things you should consider:

  1. Research your team; it is important that your Architect, Engineer and specialist glass supplier have a good track record with delivering similar structures. The Architect you work with can make or break the overall outcome of your project, many who have experience in incorporating such elements will also know the best structural engineers and specialist suppliers to appoint – so pick your team carefully.
  2. Check if you need planning; it is always essential to consult with planning and building regulations and seek approval before you start on any project, you might also need to consider if you need to speak to a Conservation Officer (should your property be situated within a conservation area or AONB.) They are there to advise and protect any heritage assets within a defined area, they will judge any proposal on its merits and in many cases, they look favourably on such pure, transparent structure. 
  1. Think about the orientation of the space; if your space faces due south you need to take this into account to reduce overheating. There are design methods that can cut out solar gain, such specialist coatings, designed structural solar shading and, or creating some elements to open to allow ventilation. If the link faces due north, then I would recommend that the link is total glass, for 100% transparency, to allow for maximum light penetration into the space.
  2. Think about the roof design; in such a structure you have a choice of the roof you incorporate, glass, solid or incorporating a mix, which will impact on budget and ongoing maintenance needs. If you opt for a glazed roof, which is the costliest, then it should never be totally flat, in order to shed water, a minimal slope of approx. 3 – 5 degrees must be used. I would also recommend adding a specialist coating to assist with maintenance and reducing residue left on the glass. If you go with a solid insulated roof (flat or pitched) you allow for reducing cost but the key challenge is incorporating anything other than glass successfully into the structure. There could be an opportunity to incorporate both, that might employ the use of central glazed roof light or lantern to draw light into the centre of the link. Personally, if budget permits, then the best solution will always be to deliver a total and complete seamless and elegant glass box, walls, roof and supporting elements.
  3. Think about how you might hide the structure; to create a seamless space, you need to consider how the glazed link will be installed into the adjacent walls and what type of structure may be required. The best solutions are where you are able to hide or conceal supporting frames. So that the glass reads as the only entity by simply slotting into the steal or aluminium frame and are then fixed in place with structural silicone. When considering the structure, this will ultimately come down to budget, as using steel or aluminium framing is a standard way of supporting the glass. But if your budget allows, you could use glass as the supporting structure.

If you are looking for inspiration, there are many architects and engineers who have pioneered glass technology over the past 30 years. Rick Mather Architects produced a wonderful total glass space back in 1992. More recently Eckersley O Callaghan has become the leading engineer in the world on glass technology.

Full article Glazed Link Glazed Link 2

Interior Architecture Brighton Awards 2021

Studio B.A.D were proud to sponsor an award,  for the third consecutive year, and be an active part of the judging panel at the famed INTERIOR  ARCHITECTURE SCHOOL led by the hugely inspirational Gemma Barton. Gemma has been collaborating with Studio B.A.D on our Bedford Place Tactical Urbanism project.  We, as a collective, are always keen to support, and promote the next generation of designers, it is an important aspect of the practice’s ethos. The ‘Studio B.A.D + Chora Award’ recognises Interior Architecture graduating students for narrative and storytelling, through excellence in drawing and representation.

The entries for this year were of a very high level, with some very inspiring and through provoking designs ideas. We commend all the shortlisted nominations; it was a difficult decision to select just two winners in this category.

First prize was awarded to Matilda Swift-Bernard for her ‘Extinction Rebellion HQ’ project.

Darren Bray commented ‘A wonderful revolutionary project, very much rooted in the now, with a quite beautiful narrative of how two environmental activists come together for form an amazing partnership and alliance to do good in the world, responding to the pressures of climate change. A gorgeous heady mixture of powerful storey telling through rigorous tectonic architecture, some beautifully sensitive representation showing the quite wonderful bird bath structure. The reuse of plastic in a reimagined innovative new construction material in the atmospheric subterranean world is both ingenious and a real spectacle. There are so many layers to this thoroughly well considered project. Matilda is to be congratulated for such energy and inventiveness!’

Second prize was awarded to Iona Hepworth for her ‘The Mussel Club’ project.

Darren Bray commented ‘The Mussel club is quite majestic in its concept and incredibly strong entrepreneurial narrative. The idea of working with water and the way in which this is harnessed for the process of mussel farming is delivered with real passion and rigor. The beautiful iterative platform drawings are reminiscent of Matisse’s abstract cut outs and give a real glimpse and flavor of how one would use and interact with such a space, with some powerful sensory moments, especially those demonstrated through the atmospheric film. There are some quite wonderful representation technique’s employed where the sections show both the tectonic qualities of the existing structure but also the sensitivity nature of the water collection fabric. Iona has created a wonderful world of sensory overload, which beautifully represented.’

Darren Bray awarded the RUSU Award

I am honoured to be recognised in this year’s Reading University Students Union annual awards, winning the Teaching Excellence Award for Built Environment. As these awards are nominated by the students I teach, it makes the prize feel even more exceptional.

Teaching has always been important to me, as I have written about in a previous blog post. When I was younger it was my teachers who saw my potential and helped to encourage me, this was something that inspired me to teach myself, I had always hoped to be able to pass this positive experience on to the next generation.

There are so many other great teachers at Reading University, I am humbled to have been singled out for this honour. This award has come as a very pleasant surprise, after such a challenging year for us all it is positive news that is even more welcomed.

‘Darren is an inspiration ever since the first lecture he gave. He always gets us talking and always has more to add to the lessons. He’s informative and precise. On a personal note he has helped me believe in myself by talking about his dyslexia, helping me to overcome what I have struggled with for many years, I cannot thank him enough!’

https://www.rusu.co.uk/your-union/awards/excellence-awards

Southampton City Vinyl

In May 2019 Studio BAD were commissioned to write, and curate a series of urban public realm interventions for Southampton, with a view of activating vacant retail shopfronts and redundant spaces.

The competitions are part of the ongoing, incremental strategy by GO! Southampton to enliven the public realm across the city centre. We were thrilled to see the first of the competitions brought to life, with vinyl artwork erected in place on an empty shopfront, located in the busy High Street.

The artist, Nathan Evans, won this first competition with a design concept for the vinyls, themed around a number of key phrases that represent the city and its inhabitants, reflected though the designs in an uplifting and positive way. Each artwork is crafted to be flexible, allowing them to be used to redecorate any dimension of shop front across the city centre.

The designs act to ask questions about the redundant space and place, what are the opportunities and how can the community get involved to reimagine and repurpose these spaces with new, vibrant uses.

A number of themes were identified in the initial briefing, representing the city in all its diverse forms and showcasing some of the best the city has to offer including: CITY OF LEARNING, CITY OF RESEARCH & INNOVATION, CITY OF CULTURE, CITY OF PLAY, GLOBAL CITY, ENTREPRENURIAL CITY and DIVERSE CITY.

GO! Southampton is the City’s Business Improvement District (BID) for Southampton City Centre. It was originally set up 2017 by a steering group consisting of local businesses and organisations who all share the vision for pushing Southampton to reach its full potential, through projects and improvements. Studio BAD are also collaborating with GO! Southampton on the Bedford Place reactivation scheme.