AJ Small Projects Award Shortlist

The shortlist for the AJ Small Projects Award 2022 has been announced, we are so thrilled to have St Margaret’s Church included as one of the 20 projects on the list from the 170 entries they received.

These awards were launched in 1996 by the Architects Journal to celebrate and showcase schemes that have been completed on a smaller budget, in this year’s award all the projects included have been realised on a budget up to £299,000.

Having this modest budget for the church reinvention was obviously tight, however we believe that it has given a richness to the scheme, we have had to work very hard to achieve the goals for the completed with the modest cost.

All those shortlisted have been invited to present their projects to the panel of judges on the 6th April, when the overall winner will be selected. The full list of projects can be found here and the project can also be found on the AJ Building Library here.

Reading University lecture

We were delighted to be invited by Reading University Architecture Society to deliver a lecture in their 2022 lecture series titled ” REFORMATION REQUIRES” which we gave last night; after so long presenting lectures across zoom it was a delight to be back talking to a real audience.

For the lecture I focused on our most recent community and public realm work, to highlight how architecture can be a vehicle for positive social change. This is an area which all of us at Studio BAD are really passionate about, in many ways it is a key pillar of the company and the reason I set up the business as I wanted to focus on this area of work.

We strongly believe in re-using what is existing, creatively engaging architecture to re-imagine the potential of a building, or a site, to make it fit the current needs. For example, St Margaret’s Church building had been condemned and likely set for demolition, through our work we have delivered a vibrant space for the whole community which is activated throughout the day and week with much needed services, such as a food bank, café, child’s play area and bicycle workshop. We touched the building lightly, only making physically alterations where vitally needed, such as the flooring where we replaced the wooden floor (which we sold, to help fund the works) and replaced with poured concrete, to work with the newly installed, zoned underfloor heating.

Architecture in the 21st century does not have to be just about a physical building, I believe many projects need architecture in a different which is not necessarily just about the bricks and mortar buildings. We have recently been working on projects that focus on reactivating the traditional high street; with these projects we interrogate how we can change the dynamic of the streets to create vibrant and engaging spaces. In Bedford Place, in Southampton, our project was a result of the community needs in the wake of covid, answering how to activate and reanimate the area to create opportunities off the back of temporary road closures. It has been a real pleasure to see the success of the scheme, now nearly two years later much of the scheme is still in place and the local council are looking to make it permanent. We are currently looking at similar reactivation projects in Gosport, Eastleigh and other areas of Southampton.

We truly believe Architecture can creatively problem solve many of the issues we are currently facing; without ego architecture can be immensely powerful, helping to reactive our cities, reduce waste, reduce carbon and deliver richer, long lasting and interesting projects.

 

 

Interior Architecture Brighton Awards 2021

Studio B.A.D were proud to sponsor an award,  for the third consecutive year, and be an active part of the judging panel at the famed INTERIOR  ARCHITECTURE SCHOOL led by the hugely inspirational Gemma Barton. Gemma has been collaborating with Studio B.A.D on our Bedford Place Tactical Urbanism project.  We, as a collective, are always keen to support, and promote the next generation of designers, it is an important aspect of the practice’s ethos. The ‘Studio B.A.D + Chora Award’ recognises Interior Architecture graduating students for narrative and storytelling, through excellence in drawing and representation.

The entries for this year were of a very high level, with some very inspiring and through provoking designs ideas. We commend all the shortlisted nominations; it was a difficult decision to select just two winners in this category.

First prize was awarded to Matilda Swift-Bernard for her ‘Extinction Rebellion HQ’ project.

Darren Bray commented ‘A wonderful revolutionary project, very much rooted in the now, with a quite beautiful narrative of how two environmental activists come together for form an amazing partnership and alliance to do good in the world, responding to the pressures of climate change. A gorgeous heady mixture of powerful storey telling through rigorous tectonic architecture, some beautifully sensitive representation showing the quite wonderful bird bath structure. The reuse of plastic in a reimagined innovative new construction material in the atmospheric subterranean world is both ingenious and a real spectacle. There are so many layers to this thoroughly well considered project. Matilda is to be congratulated for such energy and inventiveness!’

Second prize was awarded to Iona Hepworth for her ‘The Mussel Club’ project.

Darren Bray commented ‘The Mussel club is quite majestic in its concept and incredibly strong entrepreneurial narrative. The idea of working with water and the way in which this is harnessed for the process of mussel farming is delivered with real passion and rigor. The beautiful iterative platform drawings are reminiscent of Matisse’s abstract cut outs and give a real glimpse and flavor of how one would use and interact with such a space, with some powerful sensory moments, especially those demonstrated through the atmospheric film. There are some quite wonderful representation technique’s employed where the sections show both the tectonic qualities of the existing structure but also the sensitivity nature of the water collection fabric. Iona has created a wonderful world of sensory overload, which beautifully represented.’

The 20 minute city

Studio BAD have been working on several urban planning schemes, each looking at how design can positively assist with the recovery plans after COVID-19, helping to support a deeper, stronger recovery for urban centres and create greener urban centres going forward.

The ’20 Minute City’ concept is an idea I have become increasingly interested in as a model to embrace. This idea is a break away from the current trend, which tends to zone aspects of life separately, like living and working, relying on private cars as the main mode of transport. This concept instead brings together all aspects of day to day life, so rather than having our lives separated, this plan brings everything one might need on a day to day basis, such as work, home, doctors and schools, within a short distance. The concept goes hand in hand with the urgent need to address our climate changes and introduce a green policy across our cities.

The COVID-19 pandemic has given us an opportunity to rethink how we live. With so many of us now successfully working from home it has made people question the need, and want, to go back to commuting long distances to work on a daily basis. Bringing everything within a short distance, which is can be covered without needing a car, creates richer and more liveable neighbourhoods which could help regenerate our urban centres after the pandemic.

The core principles include being able to live locally with a diversity of housing, with a mix of commerce and utilities linked by a safe, walkable urban neighbourhood, safe cycling routes, high-quality public realm and open spaces. Everyday needs should be met within this 20 minute radius without the need of a car, shifting the need for private transportation and improving the ability to walking, cycling or using public transport for most needs. The concept it intentionally loose, allowing each area to embrace it individually and edit to fit the needs of the local context and community.

Our project at Bedford Place, in central Southampton, looked at fresh ways to revive this niche area just to the north of the main shopping area. The streets are well regarded as an area for boutique shopping but have been badly hit by the pandemic, to support social distancing the streets were closed to cars and we looked at how this could be built on to inject new life into the community and the public realm, strengthening the sense of community and supporting local economies to thrive.

Infographic source; c40knowledgehub.org